showing 35 results matching artist:"Stuart Nielsen"

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copper plate with diamond shape in C that is made up of layered, scalloped pattern; rounded humps rendered in thin lines extend past central pattern into all quadrants; washy pigment lines throughout surface; dark ink on L edge of plate

Intaglio printing plate for "East", from Cardinal Suite, 2003

Stuart Nielsen

Not on View
red plate; irregularly spaced horizontal lines that get longer towards the bottom; lines have a mat texture; word "RED" is etched on back of plate, in TC

Intaglio printing plate for "South", from Cardinal Suite, 2003

Stuart Nielsen

Not on View
plate with grouping of many circles touching; a few have line designs in the circles, but most are empty; some circles have diagonal lines etched inside of them; other circles have fingerprints; UR circle at edge has spiral linear pattern

Intaglio printing plate for "North", from Cardinal Suite, 2003

Stuart Nielsen

Not on View
blue plate; irregularly spaced horizontal lines that get longer towards the bottom; lines are mat in texture; word "BLUE" etched in TC on verso

Intaglio printing plate for "South", from Cardinal Suite, 2003

Stuart Nielsen

Not on View
yellow plate; irregularly spaced horizontal lines that get longer towards the bottom; word "YELLOW" etched in TC, verso

Intaglio printing plate for "South", from Cardinal Suite, 2003

Stuart Nielsen

Not on View
black key plate; roughly triagular shaped design (with flat top) with regularly spaced horizontal lines

Intaglio printing plate for "South", from Cardinal Suite, 2003

Stuart Nielsen

Not on View
copper plate coated in washy brown pigments; faint shadowy diamond shape with scalloped edges in C

Intaglio printing plate for "East", from Cardinal Suite, 2003

Stuart Nielsen

Not on View
Decorative composition featuring seven semi-circles in a vertical row; all the same shape, with their own design and colors

%C2%A9 Stuart Nielsen

Study for an untitled multiple, 1979

Stuart Nielsen

Not on View
four overlapping trapezoids with different designs; bottom two with color (red, green and blue); top two without color

%C2%A9 Stuart Nielsen

Study for "Quartet", 1979

Stuart Nielsen

Not on View

%C2%A9 Stuart Nielsen

Untitled, 1979-80

Stuart Nielsen

Not on View
One-color intaglio printed in black ink with gampi chine collé (colored with blue, green, yellow, turquoise, orange, and the artist's blood) plus iron and saffron transfer during printing. Hard-ground and lift-ground techniques were used to create the copper intaglio plate. After drying and flattening, the artist applied copper, silver, and pale gold foil and applied pale green watercolor.

Copyright %C2%A9 Stuart Nielsen%2C published by Basic Content%2C Minneapolis

North, 2002

Stuart Nielsen; Printer: Highpoint Editions, Minneapolis; Publisher: Basic Content, Minneapolis

Not on View
Five-color screenprint in silver, metalic pearl blue, gold, and red with three over printings of gloss clear and flat green. After printing, the image was debossed with an intaglio plate to create a plate mark.

Copyright %C2%A9 Stuart Nielsen%2C published by Basic Content%2C Minneapolis

West, 2002

Stuart Nielsen; Printer: Highpoint Editions, Minneapolis; Publisher: Basic Content, Minneapolis

Not on View
Four-color intaglio printed in process yellow, red, blue, and black inks. Hard-ground and spit-bite aquatint techniques were used to create the copper intaglio plate. After drying and flattening, the intaglio inks were screenprinted over with a very transparent satin golden yellow.

Copyright %C2%A9 Stuart Nielsen%2C published by Basic Content%2C Minneapolis

South, 2002

Stuart Nielsen; Printer: Highpoint Editions, Minneapolis; Publisher: Basic Content, Minneapolis

Not on View
A suite of four lithographs printed in black and transparent orange with a dusting of orange pearlescent pigment on Pescia Blue. Five additional colors were separately printed on mulberry paper (two using lithographic ink and three using fluorescent sign paint) sprayed with a UV-protective varnish and collaged onto the Pescia.

Copyright %C2%A9 Stuart Nielsen%2C published by Basic Content%2C Minneapolis

Winter Hours II, 2007

Stuart Nielsen; Printer: Highpoint Editions, Minneapolis; Publisher: Basic Content, Minneapolis

Not on View
A suite of four lithographs printed in black and transparent orange with a dusting of orange pearlescent pigment on Pescia Blue. Five additional colors were separately printed on mulberry paper (two using lithographic ink and three using fluorescent sign paint) sprayed with a UV-protective varnish and collaged onto the Pescia.

Copyright %C2%A9 Stuart Nielsen%2C published by Basic Content%2C Minneapolis

Winter Hours IV, 2007

Stuart Nielsen; Printer: Highpoint Editions, Minneapolis; Publisher: Basic Content, Minneapolis

Not on View
A suite of four lithographs printed in black and transparent orange with a dusting of orange pearlescent pigment on Pescia Blue. Five additional colors were separately printed on mulberry paper (two using lithographic ink and three using fluorescent sign paint) sprayed with a UV-protective varnish and collaged onto the Pescia.

Copyright %C2%A9 Stuart Nielsen%2C published by Basic Content%2C Minneapolis

Winter Hours I, 2007

Stuart Nielsen; Printer: Highpoint Editions, Minneapolis; Publisher: Basic Content, Minneapolis

Not on View
A suite of four lithographs printed in black and transparent orange with a dusting of orange pearlescent pigment on Pescia Blue. Five additional colors were separately printed on mulberry paper (two using lithographic ink and three using fluorescent sign paint) sprayed with a UV-protective varnish and collaged onto the Pescia.

Copyright %C2%A9 Stuart Nielsen%2C published by Basic Content%2C Minneapolis

Portfolio for Winter Hours, 2007

Stuart Nielsen; Printer: Highpoint Editions, Minneapolis; Publisher: Basic Content, Minneapolis

Not on View
A suite of four lithographs printed in black and transparent orange with a dusting of orange pearlescent pigment on Pescia Blue. Five additional colors were separately printed on mulberry paper (two using lithographic ink and three using fluorescent sign paint) sprayed with a UV-protective varnish and collaged onto the Pescia.

Copyright %C2%A9 Stuart Nielsen%2C published by Basic Content%2C Minneapolis

Winter Hours III, 2007

Stuart Nielsen; Printer: Highpoint Editions, Minneapolis; Publisher: Basic Content, Minneapolis

Not on View
A suite of four lithographs printed in black and transparent orange with a dusting of orange pearlescent pigment on Pescia Blue. Five additional colors were separately printed on mulberry paper (two using lithographic ink and three using fluorescent sign paint) sprayed with a UV-protective varnish and collaged onto the Pescia.

Copyright %C2%A9 Stuart Nielsen%2C published by Basic Content%2C Minneapolis

Colophon page for Winter Hours, 2007

Stuart Nielsen; Printer: Highpoint Editions, Minneapolis; Publisher: Basic Content, Minneapolis

Not on View
Two-color intaglio printed in heavenly blue and indigo. Hard-ground and spit-bite aquatint techniques were used to create the copper intaglio plate.

Copyright %C2%A9 Stuart Nielsen%2C published by Basic Content%2C Minneapolis

East, 2002

Stuart Nielsen; Printer: Highpoint Editions, Minneapolis; Publisher: Basic Content, Minneapolis

Not on View
Portfolio case for the four prints from "Cardinal Suite" series.

Copyright %C2%A9 Stuart Nielsen%2C published by Basic Content%2C Minneapolis

Portfolio case with attached colophon for Cardinal Suite, 2002

Stuart Nielsen; Printer: Highpoint Editions, Minneapolis; Publisher: Basic Content, Minneapolis

Not on View

Copyright %C2%A9 Stuart Nielsen%2C published by Basic Content%2C Minneapolis

Winter Hours, 2007

Stuart Nielsen; Printer: Highpoint Editions, Minneapolis; Publisher: Basic Content, Minneapolis

Not on View
Standing figure, bent at waist, peering into a body of water

%C2%A9 Stuart Nielsen

Water Gazing, 1983

Stuart Nielsen; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Stuart Nielsen

Quartet, 1979-80

Stuart Nielsen; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Stuart Nielsen

Shell / Butterfly, 1978

Stuart Nielsen; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Butterfly Screen, 1978

Stuart Nielsen

Not on View

Working drawing for "Quartet", 1979

Stuart Nielsen

Not on View

Study for 'Shell Bufferfly', 1978

Stuart Nielsen

Not on View

Quartet, 1979

Stuart Nielsen

Not on View

Untitled, 1979

Stuart Nielsen

Not on View

Quartet, 1979

Stuart Nielsen

Not on View

Quartet, 1979

Stuart Nielsen

Not on View

Untitled, 1979

Stuart Nielsen

Not on View

Cup, 1980

Stuart Nielsen; Workshop: Angus Davis

Not on View

Plate, 1980

Stuart Nielsen; Workshop: Angus Davis

Not on View

showing 35 results matching artist:"Stuart Nielsen"

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